Nicolas Flamel (traditionally c. 1330 – present) was a successful
scrivener and manuscript-seller who developed a reputation as an
alchemist due to his reputed work on the Philosopher's Stone.
Flamel was the attributed author of an alchemical book, published
in Paris in 1612 as Livre des figures hiéroglypiques and in London in
1624 as Exposition of the Hieroglyphicall Figures.[1] It is an
exposition of figures purportedly commissioned by Flamel for a tympanum
at the Cimetière des Innocents in Paris, long disappeared at the time
the work was published. In its publisher's introduction Flamel's search
for the Philosopher's Stone was described. According to it, Flamel made
it his life's work to understand the text of a mysterious
twenty-one-page book he had purchased; the introduction recounts that
around 1378, he traveled to Spain for assistance with translation. On
the way back, he reported that he met a sage, who identified Flamel's
book as being a copy of the original Book of Abraham also known as the
Codex. With this knowledge, over the next few years Flamel and his wife
allegedly decoded enough of the book to successfully replicate its
recipe for the Philosopher's Stone,producing first silver in 1382, and
then gold. Some experts speculate that around the time he allegedly was
able to replicate the recipe he became extremely wealthy.
According to the introduction to his work and the additional
details that have accrued since its publication, Flamel would thus have
been the most accomplished of the European alchemists, who would have
learned his art from a Jewish converso on the road to Santiago de
Compostela. "Others thought Flamel was the creation of
seventeenth-century editors and publishers desperate to produce modern
printed editions of supposedly ancient alchemical treatises then
circulating in manuscript for an avid reading public," Deborah Harkness
put it succinctly.[2] The modern assertion that many references to him
or his writings appear in alchemical texts of the 1500s, however, has
not been linked to any particular source. The essence of his reputation
is that he succeeded at the two magical goals of alchemy -- that he made
the Philosopher's Stone which turns lead into gold, and that he and his
wife Perenelle achieved immortality. Life
Flamel lived into his 80s, and in 1410 designed his own tombstone, which
was carved with arcane alchemical signs and symbols. Some believe that
he died shortly after the tombstone was created. Later after that a
local criminal, who wished to acquire Flamel's reputed gold, went to
Flamel's residence. Finding nothing, but undeterred, he was said to have
then gone to the gravesite with only a shovel and a lantern, and dug up
the grave. Upon opening the coffin, he was disappointed to find an
absence of gold, but shocked to find no trace of the corpse of Nicolas
Flamel. Some claim that it was just the grave of the wrong person who
was not dead at the time, while still others claim that he faked his own
death, and they cite as proof the fact that long after 1410, several
books were published in his name. The tombstone is preserved at the
Musée de Cluny in Paris.
Expanded accounts of his life are taken as legendary. In addition to the
mysterious book of twenty-one pages filled with encoded alchemical
symbols and arcane writing, he may also have studied some texts in
Hebrew. Interest in Flamel revived in the nineteenth century: Victor
Hugo noted him in The Hunchback of Notre Dame. Eric Satie was intrigued
by Flamel.[3] Flamel is often referred to in late twentieth-century
fictional works such as the Harry Potter books and movies as well as The
Da Vinci Code. And he is also in the fictional works of "The Alchemyst
Series"
In popular culture
Nicolas Flamel's story is alluded to in J. K. Rowling's first Harry
Potter book, Harry Potter and the Philosopher's Stone (Sorcerer's Stone
in the United States), in which he is an unseen character. He was
friends with Albus Dumbledore and said to have lived for hundreds of
years until the Philosopher's Stone was destroyed following the events
of the book (see Nicolas Flamel in Harry Potter.)
Flamel is listed as the 8th "Grand Master of the Priory of Sion"
(1398-1418) as part of a 1960s hoax[citation needed] where his name was
planted in the French National Library in the "Dossiers Secrets". This
resulted in him being mentioned in the 1982 pseudohistory book The Holy
Blood and the Holy Grail, Umberto Eco's 1989 novel Foucault's Pendulum,
and Dan Brown's 2003 novel, The Da Vinci Code. Many of the names of
"Grand Masters" were evidently chosen for some sort of connection with
alchemy.
Nicolas and his wife Perenelle Flamel are central characters in Michael
Scott's novel The Alchemyst: The Secrets of the Immortal Nicholas Flamel
(2007).
He is the subject of Michael Roberts' poem "Nicholas Flamel", collected
in These Our Matins (1930).
The concept album Grand Materia (2005) by the Swedish metal-band Morgana
Lefay is about Nicolas Flamel and his life and how he made the
Philosopher's Stone.
Flamel was once referenced in the anime Fullmetal Alchemist, when Edward
Elric was researching alchemy in Central.
Flamel is thought to be a inprashion for the Millennium Earl the main
antagonist of the manga D-Gray Man.
In the DC comics universe, Zatanna is a direct descendant of Flamel.
Notes
^ Laurinda Dixon, ed., Nicolas Flamel, His Exposition of the
Hieroglyphicall Figures (1624) (New York:Garland) 1994.
^ Harkness, review of Dixon 1994 in Isis 89.1 (1998) p. 132.
^ Wilkins 1993.
References
Decoding the Past: The Real Sorcerer's Stone, November 15 2006 History
Channel video documentary
The Philosopher's Stone: A Quest for the Secrets of Alchemy, 2001, Peter
Marshall, ISBN 0-330-48910-0
Creations of Fire, Cathy Cobb & Harold Goldwhite, 2002, ISBN
0-7382-0594-X
The Alchemyst: The Secrets of The Immortal Nicholas Flamel",2007,Michael
Scott, ISBN 9780739350324
Nicolas
Flammel was a wealthy bourgeois of the late Middle Ages. He and his wife
Pernelle lived in this house and left the building to the City of Paris,
as a dormitory for the poor. Impoverished Parisians were allowed to
sleep in upstairs rooms on the condition that they recite prayers twice
daily to save the Flammels’ souls. There is a big carved sign, probably
added long after the building was constructed, which reads “Ici l’on
boit et l’on mange” (here we eat and we drink) referring to the fact
that the poor were fed and offered a beer before being escorted upstairs
to sleep. But underneath the sign, hand-carved and so worn as to be
almost invisible, there are painstakingly-created, gorgeously-drawn
angels and elaborate texts. It’s this unusual and lovely decoration that
makes this building special. Although it’s called the oldest building in
Paris, it isn’t. But Flammel’s house is the only residential building
from this period with a documented history, and its façade is unusually
elaborate. For older, plainer buildings, you can stroll a few blocks
north to the corner of Rue Volta and Rue Maire. These tangled streets
house a tiny Vietnamese and Chinese community who live and work in
buildings that probably date back to the late 1300s. Keep an eye out for
ancient half-timbered buildings: medieval houses had a stone foundation
but were framed up in wood. The spaces between the beams were packed
with mud, straw, and stone, which was plastered over to form smooth
walls. Considering their rough construction, it’s amazing that these
buildings have survived the centuries, crooked as they are.