The
Baron set out different categories for apartments, with varying
regulations according to street size and neighborhood. His vision was so
successful that long after his fall from power, apartments continued to
be built according to his standard: 5 stories in locally-quarried “pierre
de taille” with a crowning floor of maid’s rooms under a Mansard roof.
This particular example is a sober interpretation at the high-class end
of Haussmann’s buildings. Architect Codry chose to give this building
sober individualistic details, inspired by Classicism. This beautifully
stoic, discrete style became gradually more elaborate, even florid, as
the century drew to a close. These streets, along Rue Saint-Sulpice and
down Rue du Four, show the many variations of
Haussmannism, from the
unadorned to the over-the-top. Yet it’s always clear that the Haussmann
building is based on the “hôtel particulier” floor plan: a courtyard
gives light and reduces street noise in the bedrooms, and a street door
leading to an entry hall gives the inhabitants a sense of protection
from the street. Apartments are designed in consideration of people’s
real needs and desires: the layouts are usually L-shaped to allow better
light, and the front reception rooms were originally equipped with gas
lighting, the very latest convenience. It was Haussmann who encouraged
entire blocks to co-ordinate their balcony heights and windows. The 2nd
and 5th floors tend to have balconies, as these were the two most
desirable floors to live on: the 2nd because it was above street noise,
but still not too far upstairs, and the 5th for its magnificent light
(made more accessible once elevators became popular). Haussmann
apartments featured parquet floors, moldings, and fireplaces with marble
mantles, details which have usually been preserved and appreciated by
later residents. Because of its proven success, the Haussmann standard
dominated residential building in Paris until World War I, soaking up
new influences and growing to 8 stories.