The Pavillon Suisse or Swiss pavilion was built in 1930 at the Cité
International Universitaire, Paris.
The construction of this Pavilion was entrusted, without a
competition, by the Committee of Swiss Universities to Le Corbusier and
Pierre Jeanneret who at first refused to be charged with this
commission. The manner in which their cause was handled by the Swiss
federal authorities and the majority of Swiss public opinion at the time
of the League of Nations Competition still lay heavy on their hearts.
Nevertheless, at the insistence of the Swiss universities, they threw
themselves into the work and built the pavilion with a budget reputed by
the president of the Cité Universitaire to be only half-sufficient
(3,000,000.00 fr.)
The construction of building, created under exceptionally
difficult circumstances, provided the occasion for constituting a
veritable laboratory of modern architecture: the most urgent were
tackled, in particular, dry-wall construction and acoustic separation.
The
most famous architect of the 20th-century, Le Corbusier completed not
even 60 buildings in his lifetime. But he continues to inspire both
worship and loathing around the globe. Swiss by birth, Corbu is the man
who coined the term “a machine for living”—which is what he expected
from a successful house. He believed that mathematics contained an ideal
formula for living, and the Swiss Pavilion is a magnificent example of
Corbu working at the height of his power. The 30s saw Corbu formulate
many of his most influential theories; his most exciting writings on
art, architecture, and urban planning appeared during this period. Here,
Corbu worked in collaboration with his cousin Pierre Jeanneret to create
a perfect expression of his theory of four ruling elements: sky, trees,
concrete and steel. His trademark brutalist materials and his love for
rooftop greenery are both beautifully in evidence here. In later
buildings, Corbu expanded on these concepts, but the Swiss Pavilion
remains one of the most livable residential blocks the master every
completed. The dormitory is an elegant, low-rise version of Corbu’s
vision of high-density habitation. He dreamed of a city where streets
were ignored, parks were essential, and huge high-rises boasted rooftop
gardens: the Cité Universitaire was in these ways perfect for his plan.
The Swiss Pavilion directs its glazed front south towards the sun,
overlooking playing fields. Along the rooftop there are light and air
wells, allowing students to sunbathe in privacy, and giving them a
garden terrace with potted plants. Down at ground level, visible pilings
support the building, which seems to float over a glass-walled lounge
area. The stairs of the building are concealed in the curved back
section, which is a well-balanced contrast to the 90-degree angles of
the dormitory rooms. As you admire Corbu’s deceptively simple plan,
consider that this masterpiece was built when many Parisian architects
were still flailing around in the turgid remains of Haussmannism.