From
the 1830s through to the 1930s, Paris was a theatergoers paradise. There
was every kind of performance from music-hall burlesque to avant-garde
music, housed in fantastically beautiful and innovative buildings. When
film became popular, Parisian architects adapted the theater template
into magnificent cinema temples. The Grand Rex is the most impressive of
these halls, built just at the end of the boom in 1931; its genius comes
partly from the American consultant John Eberson, who built almost 400
cinemas across the States during the 20s. The Rex turned out to be a
mammoth project, taking a year to complete and housing 3,300 seats. The
front is classically Art Deco, with its ocean-liner sleekness and
uniquely Parisian “pan coupe” corner entrance. This style of corner was
first legislated under Haussmann to allow carriage drivers better
visibility when going around corners! During the 20s, these cutaway
building corners were absurdly decorated with Oriental turrets, but the
Rex is determinedly Moderne and has a round glowing latticework ziggurat
crowning its entranceway. The interior continues this Art Deco fantasia;
the well-kept auditorium features an Arabian Nights theme by designer
Maurice Dufrene complete with fake constellations in the ceiling.
Instead of ruining this wonderful hall by splitting it into smaller
cinemas, the Rex intelligently built a couple of small screens in the
70s in the basement, where Bluysen had originally included a nursery and
a kennel.