The residential towers of the Orgues de Flandre, in Paris 19th
arrondissement.The Orgues de Flandre, which can be translated as Organs
of Flanders, are a group of residential buildings located in the 19th
arrondissement of Paris, France.
Built from 1974 to 1980 by the architect Martin van Trek, the
buildings are located at 67-107 avenue de Flandre and 14-24 rue
Archereau. The buildings are a housing project of 6 ha, made of many
buildings of 15 floors and four dominating towers:
Tour Prélude (or Tour 1): 123 meters, 38 floors.
Tour Fugue (or Tour 2): 108 meters, 32 floors.
Tour Cantate (or Tour 3): 101 meters, 30 floors.
Tour 4: 90 meters, 25 floors.
Little
good came from the public housing projects of this period. About all
that can be said in their favor is that people were housed. Not well,
and not always willingly, but housed with running water, nonetheless.
Les Orgues is a good example of the aggressive urban planning carried
out in the Northeast of Paris. The 11th, 12th, 19th and 20th
arrondissements have traditionally been left-wing; during the
Occupation, most Resistance members came from these areas (while the
wealthy 6th, 7th, and 16th merrily collaborated.) The Northeast has also
traditionally been home for any newcomers to the city. In the 60s, Paris
powers-that-be decided to eradicate the unsanitary poor sections of
Paris; this was part of the rational behind the Tour Montparnasse. In
the northeast, Belleville, Menilmontant, Faubourg Saint-Antoine, and
this part of Avenue de Flandres were specifically targeted. Fortunately,
some sectors fought back; Belleville and Saint-Antoine continue to be
exciting and historic neighborhoods. But Flandres was not so lucky. An
enormous and vital quartier was torn down here to make way for the 1,950
apartments housed in Les Orgues. This conglomeration of buildings is
supposed to represent the pipes of an enormous church organ (no doubt a
bizarre reference for the largely Muslim immigrant population that lives
here.) Although quite safe to walk through, unlike several similar
projects in the Parisian suburbs, the dusty central gardens and tagged
tiles confirm the feeling of dislocation promoted by this style of
architecture. It’s amazing proof of human resilience that children
actually play here, laughing amid the monoliths.