Chemetov
is an exciting but uneven architect. He excels at innovative sculptural
forms and beautiful use of materials, both of which are admirable here,
but he often falls down in the human aspect of architecture. He doesn’t
seem to always remember the fact that people have to live with his
buildings on a daily basis. Here, Chemetov has created a sarcastic but
perfect symbol for the Finance Ministry: its Orwellian shape looms like
a monster guarding the entrance to the city, with two feet firmly
planted in the rushing waters of the Seine. Chemetov might be making
conscious reference to the 18th-century Paris walls which once stood
here, exacting tolls on all merchandise entering the city. But sometimes
architecture should be more than historic sculpture, especially when
it’s 1,200,000 square feet of offices. It’s hard to pity Finance
Ministry workers, but their souls must suffer every morning as they are
sucked into this weighty hulk. The Minister, though, has a very spiffy
office, facing the water, and some of the inside spaces are magnificent;
unfortunately they’re almost impossible to visit. The best way to see
this building is from the river. If you can’t find a boat, stand on the
Pont de Bercy and be thankful this was plonked down towards the edge of
the city and not in the middle of it. Despite its rather monstrous
shape, this building is typical of Chemetov. At least you can’t call him
boring. To see his sculptural sense at work in a different environment,
check out his very successful Les Halles underground entrance, near
Saint-Eustache, which in 1988 was added to the hideous 1979 mall. Or if
you’re up at Parc La Villette, drop by the fabulous sunken bamboo
garden, which Chemetov co-designed with visual artist Daniel Buren.