Paris 1st - métro: Palais Royal-Musée du
Louvre- 6 rue de Montpensie 75001 PARIS Surrounded by beautiful covered galleries, this park was the site of
many historical events.
Palais-Royal and its gardens, in a Paris
map, 1739. The palace itself fronts on its small square. The Place du Louvre
is at upper right. Napoleon opened the Rue de Rivoli along the Louvre's
wing, then Haussmann swept away intervening structures.
Philippe I, Duc d'Orléans
Gardens of the Palais-Royal: The
illustration, from an 1863 guide to Paris, enlarges the apparent scale. The
modern planting keeps the central lawn, fountains and clipped trees.
Colossal order of pilasters in the
interior courtyard
The Palais Royal houses offices of the
French national government: Conseil d'État, Constitutional Council and the
Ministry of Culture. Constant d'Ivry's neoclassical screen fronts the
Lemercier's baroque courtyard.
After the removal of the Charles V city wall, Cardinal de Richelieu asked
Jacques Lemercier, his official architect, to build a monumental palace
with large gardens near the Louvre (1634). For a long time this building
was called the Palais Cardinal, before taking the name it still bears:
the Palais Royal. Work to make it more open began between the wars. The
Orléans gallery, which formed a screen between the palace and the
gardens, was demolished and replaced by a colonnade, reflected in recent
times in the Buren columns.
The Palais Royal is a palace and garden located near the Ier
arrondissement of Paris. Opposite the north wing of the Louvre, its
famous forecourt (cour d'honneur) screened with columns (since 1986
containing Daniel Buren's site-specific artpiece) faces the Place du
Palais-Royal, which was much enlarged by Baron Haussmann after the Rue
de Rivoli was built for Napoleon.
Palais Cardinal Never for long a royal palace, despite the misleading
name, it was the home of Richelieu, begun in 1624 (its architect,
Jacques Lemercier) and known as Palais Cardinal. Richelieu bequeathed it
to the French Crown at his death. After Louis XIII died, it housed the
Queen-Mother Anne of Austria,Cardinal Mazarin and the young Louis XIV.
During the Fronde, the family had to flee there for safety.
The Palais Royal of the House of Stuart
For a time, the exiled Queen of England, Henrietta Maria of
France stayed at the Palace under the invitation of King Louis XIV. She
lived her with her daughter, Henrietta Anne Stuart who was the first
wife of Philippe I, Duke of Orléans.
After their marriage, it became the main residence of the family
while Philippe I was waiting for the improvements to the Château de
Saint Cloud to be carried out. The true reign of the House of Orléans at
the Palias really began with this couple.
Even though the couple were not the most happy, it was the scene
of lavish parties and fêtes which became known around the capital.
Henrietta Maria was later housed at a Château on the then
outskirts of Paris in Colombes.
The Orléans at Palais-Royal It was Philippes first wife, Henrietta Anne Stuart who
created the famous ornamental gardens at the Palais, which were said to
be one of the most beautiful in Paris. His second wife, Elizabeth
Charlotte, Princess Palatine, preferred their country residence outside
Paris which was the stunning Château de Saint-Cloud.
During the minority of Louis XV, the regent of France was Philip
II, Duke of Orléans, ruling from the Palais-Royal (See Régence.) His
wife, Françoise-Marie de Bourbon (the second surviving daughter of
Françoise-Athénaïs, marquise de Montespan ) reigned there (along with
Saint Cloud) until her death in 1749.
The Orléans did not occupy the northeast wing, where Anne of
Austria had her apartments, but the Palais Brion, where the future
Regent when duc de Chartres commissioned from Gilles-Marie Oppenord the
decor of the Grand Appartement, the classic site of the light and lively
Style Régence that presaged the future rococo. These, and the Regent's
more intimate Petits Appartements, and his gallery painted with
Virgilian subjects by Coypel, were all demolished in 1784, for the
installation of the Théâtre-Français, now the Comédie- Française.[1]
The Palais Brion, a separate pavilion standing along rue
Richelieu, to the west of the Palais-Royal, had been purchased by Louis
XIV from the heirs of Cardinal Richelieu; in it the king had installed
Louise de La Vallière, who gave birth there to two sons of the king, in
1663 and 1665: both died young. The royal collection of antiquities was
installed at the Palais Biron, under the care of the art critic and
official court historian André Félibien, appointed in 1673.
The public Palais-Royal
The Regent's great-grandson, Louis Philip II, Duke of Orléans,
who would become known as "Philippe-Egalité" during the more radical
phase of the Revolution, made himself popular in Paris when he opened
the gardens of the Palais-Royal to all Parisians and employed the
neoclassical architect Victor Louis to rebuild the structures around the
palace gardens, which had been the irregular backs of houses that faced
the surrounding streets, and to enclose the gardens with regular
colonnades (above, right) that were lined with smart shops (in one of
which Charlotte Corday bought the knife she used to stab Jean Marat).
Along the galeries ladies of the night lingered, and smart gambling
casinos were lodged in second-floor quarters. There was a theatre at
each end of the galleries; the larger one has been the seat of the
Comédie-Française, the state theatre company, since Napoleon's reign.
The very first theatre in the Palais-Royal was originally built by
Lemercier for Cardinal Richelieu in 1641 (?). Under Louis XIV, the
theater hosted plays by Molière, from 1660 to Molière's death in 1673,
followed by the Opera under the direction of Jean-Baptiste Lully.
From the 1780s to 1837 the Palais Royal was once again the centre
of Parisian political and social intrigue and the site of the most
popular cafés. The historic restaurant "Le Grand Vefour" is still there.
In 1786 a noon cannon was set up by a philosophical amateur, set on the
prime meridian of Paris, in which the sun's noon rays, passing through a
lens, lit the cannon's fuse. The noon cannon is still fired at the
Palais-Royal, though most of the ladies for sale have disappeared, those
who inspired the Abbé Delille's lines;
"Dans ce jardin on ne rencontre Ni champs, ni prés, ni bois, ni fleurs. Et si l'on y dérègle ses mœurs, Au moins on y règle sa montre." ("In this garden one encounters neither fields nor woods nor
flowers. And, if one upsets one's morality, at least one may re-set
one's watch.")
On July 12, 1789 a young firebrand, Camille Desmoulins, leapt on
a café table and announced to the crowd that Necker had been dismissed.
"This dismissal," he cried, "is the tocsin of the St. Bartholomew of the
patriots !" Drawing two pistols from under his coat, he declared that he
would not be taken alive. "Aux armes!" He descended amid the embraces of
the crowd, and his cry "To arms!" resounded on all sides. Two days
later, the Bastille was taken.
After the Restoration of the Bourbons, at the Palais-Royal the
young Alexandre Dumas obtained employment in the office of the powerful
duc d'Orléans, who regained control of the Palace during the
Restoration.. In the Revolution of 1848, the Paris mob trashed and
looted the Palais-Royal. Under the Second Empire the Palais-Royal was
home to the cadet branch of the Bonaparte family, represented by Prince
Napoleon, Napoleon III's cousin.
The Palais Royal of Today
Today it houses the Conseil d'État, the Constitutional Council,
and the Ministry of Culture. At the rear of the garden are the older
buildings of the Bibliothèque Nationale, the national library of
deposit, with a collection of more than 6,000,000 books, documents,
maps, and prints; most of the collections have been moved to more modern
settings elsewhere.
References ^ Le Palais-Royal des Orléans (1692-1793): Les travaux
entrepris par le Régent.