masonry and iron spans-
Labrouste's use of industrial materials, such as cast iron columns, as
prominent features in the reading room of this library, generated
controversy, because conventional thought at the time equated such
important building types with dressed stone and other traditional high-end
materials.
One of the greatest cultural buildings of the
nineteenth century to use iron in a prominent, visible way was
unquestionably the Bibliotheque Ste.-Genevieve in Paris, designed by Henri Labrouste
and built in 1842-50. The large (278 by 69 feet) two-storied structure
filling a wide, shallow site is deceptively simple in scheme: the lower
floor is occupied by stacks to the left, rare-book storage and office
space to the right, with a central vestibule and stairway leading to the
reading room which fills the entire upper story. The ferrous structure
of this reading room—a spine of slender, cast-iron Ionic columns
dividing the space into twin aisles and supporting openwork iron arches
that carry barrel vaults of plaster reinforced by iron mesh—has always
been revered by Modernists for its introduction of high technology into
a monumental building.
The National Library of France traces its origin to the
royal library founded at the Louvre by Charles V in 1368. It expanded
under Louis XIV and opened to the public in 1692. The library's
collections swelled to over 300,000 volumes during the radical phase of
the French Revolution when the private libraries of aristocrats and
clergy were seized. By an act of the revolutionary French National
Assembly, the Library became the first free public library in the world
in 1793.
Following the series of regime changes in France, it became the
Imperial National Library and in 1868 was moved to newly constructed
buildings on the rue de Richelieu designed by Henri Labrouste.
On 14 July 1988, François Mitterrand announced the construction
and the expansion of one of the largest and most modern libraries in the
world, intended to cover all fields of knowledge, and designed to be
accessible to all, using the most modern data transfer technologies,
which could be consulted from a distance, and which would collaborate
with other European libraries. Surprisingly, the library does not
maintain a wireless network. In July 1989, the services of the
architectural firm of Dominique Perrault were retained. The construction
was carried out by Bouygues. After the move of the major collections
from the rue de Richelieu, the National Library of France opened to the
public on 20 December 1996. It contains more than ten million volumes.
Those who work in it are not happy with the extremely long distances
they have to walk to reach basic functions. It also features a
landscaped garden pit at its center that cannot be enjoyed except with
one's eyes, and several of the trees need to be supported with rope to
prevent them from falling.
get off at metro stations: Palais Royal - Musée du Louvre or Louvre Rivoli.
The Louvre Museum (Musée du Louvre), in Paris, France, is one of the largest and most famous museums in the world. The building, a former royal palace, lies in the centre of Paris, between the Seine river and the Rue de Rivoli. Its central courtyard, now occupied by the Louvre Pyramid, lies in the axis of the Champs-Élysées, and thus forms the nucleus from which the Axe historique springs. Part of the royal Palace of the Louvre was first opened to the public as a museum on November 8, 1793, during the French Revolution.
La Pyramide Inversée (The Inverted Pyramid) is a skylight constructed in an underground shopping mall in front of the Louvre Museum in France. It may be thought of as a smaller sibling of the more famous Louvre Pyramid proper, yet turned "upside down": its upturned base is easily overlooked from outside.
Jean
Nouvel is the supernova of Paris architecture stars; an entire show at
the Pompidou was devoted to him in 2002, and he is responsible for the
popular Tour Sans Fin in La Defense (which isn’t actually endless, only
100 stories high.) Nouvel was the main architect of the brilliant
Institut du Monde Arabe, and expectations are high for his latest Paris
project, the Musée des Arts Premiers, opening in 2004 on Quai Branly
near the Eiffel Tower. Until this new museum is finished, you can best
appreciate Nouvel’s vision at one of his older buildings, the Fondation
Cartier. Here on Boulevard Raspail is the essence of Nouvel’s vision.
Relying on new types of glass and support structures, the Fondation
building is transparent, emphasizing its natural surroundings. The site
was once the home of French writer Chateaubriand, who planted a tree in
the yard. Nouvel managed to design the new building around the tree, to
preserve the living link to the past. Nouvel is part of an international
trend away from the purist manipulation of space, towards a crucial
focus on building materials. Just as Haussmann’s Paris was defined by
its golden “pierre de Paris stone,” and mid-20th-century Paris was
defined by gradual discoveries using reinforced concrete, Nouvel reveals
the most recent incarnation of Paris by using glass to reinterpret the
City of Light.
The Musée d'Orsay is a museum in Paris on the left bank of the Seine near Musée d'Orsay RER line C station. It holds mainly French art dating from 1848 to 1914, including paintings, sculptures, furniture, and photography. Many of these works were held at the Galerie nationale du Jeu de Paume up to 1986.
There are two good reasons to visit this hôtel: it is one of the most beautiful in Paris, and it is devoted to the sculptor Auguste Rodin. The financier Abraham Peyrence de Moras, enriched by the speculations of the banker John Law, built this residence, his third in Paris. It was later purchased in secession by the duchesse du Maine and the maréchal de Biron (1753) and came to be known as the Hôtel de Biron. From 1828 to 1902, it served as a residence for young girls; the chapel on the rue de Varenne dates from this period. In 1904, the French state became the owner and began to rent portions of it to artists. Rodin resided here from 1908 until his death in 1917. Since he bequeathed all the work then in his possession to the government, the state chose to restore the hôtel and transform it into the Musée Rodin. Several of the artist's larger works on are display in the gardens, which have also been restored.
The Centre Georges Pompidou (constructed 1971–1977 and known as the Pompidou Centre in English) is a building in the Beaubourg area of the IVe arrondissement of Paris, near Les Halles and the Marais. Designed by Renzo Piano, Richard Rogers and Gianfranco Franchini, it houses the Bibliothèque publique d'information, a vast public library, and the Musée National d'Art Moderne. Because of its location, the Centre is known locally as Beaubourg.